Album Review: The Mantles – Long Enough to Leave
The Mantles have released their latest album, Long Enough to Leave on Slumberland Records. Their self-titled debut album was a high-energy collection of quirky garage rock songs that carried influences of classic punk….
EP Review: Trails and Ways – Trilingual
Trails and Ways’ Trilingual EP is an amalgamation of both Californian musical tradition, and gathered inspiration of international influences. When lead singers Keith Brower Brown and Emma Oppen returned from Brazil and Spain…
Album Review: Coma Cinema – Posthumous Release
Coma Cinema’s Posthumous Release isn’t a grand departure from previous albums, nor is it a game-changing, genre-creating, undefinable album, the likes have never been heard before. Rather, it is an improvement and polish…
Album Review: GRMLN – Empire
GRMLN’s Empire is a refreshing reminder that rock and roll can be fun. Yoodoo Park draws influences from Kyoto, his birthplace, and southern California, where the 20 year-old currently lives. Throw in 90’s…
Album Review: W-H-I-T-E – III
W-H-I-T-E’s third and most recent album, III, is a collection of sounds ranging from dreamy acoustic guitar to psychedelic electric pop. The project was created by Los Angeles-based musician and visual artist, Cory…
Album Review: Club 8 – Above the City
Club 8’s newest and eighth album, Above the City has taken the Swedish twee-pop duo into a more electronic and industrial direction. Club 8 has recently reclaimed their self-produced status under Johan Angergård’s…
Album Review: Cloud Boat – Book of Hours
Cloud Boat has created ambient and transcendental music in their first full length release, Book of Hours. This London duo doesn’t subscribe to contemporary compositional styles, injecting electronic elements into mournful ballads, like…
